Exploring Dystopia: Dystopian timeline

DYSTOPIA: timeline

This is an attempt to pin-point importent landmarks and possible influences in dystopian fiction. Needless to say, Dystopia is almost as old as Utopia. However, the elaborate or modern dystopian depiction was born in the late 18th century. Before this time, dystopian depictions were merely rhetorical tools and intellectual experiments.

	1868	John Stuart Mill uses the term dystopia in a parliamentary speech, possibly the first recorded use of the term.
	1879	The famous American inventor Thomas Edison introduces the electric bulb. It is an important landmark in the electrical revolution, since it brings the electric wonder to private homes. Many a utopian writer finds inspiration in this technological development, but also many a dystopian writer. In *The Begum's Fortune* by Jule Verne, utopian and dystopian societies are contrasted. Whether it can be regarded as the first modern dystopia is debatable, but it certainly is an importent forerunner.
	1880	In USA, the first industrial execution method since the guillotine is introduced: the electric chair.
	1885	The publication of the first modern post-holocaust depiction: *After London* by Richard Jefferies.
	1895	Guglielmo Marconi introduces the first practical application of radio technology, the telegraph. It marks the beginning of the mass communication era and entails a dramatic evolution of communication and information technologies. The Lumière borthers construct the cinematograph and exhibit the first motion picture. Until the break-through of television after World War II, the motion picture will be the most effective means of propaganda.
	1897	Henri Becquerel discovers the phenomenon radioactivity. The dangerous potential of this discovery is recognised almost directly.
	1898	H.G. Wells's ground-breaking novel War of the Worlds, the first depiction of an alien invasion of Earth, is published.
	1899	The publication of the novels *The Story Of The Days To Come* and *When The Sleeper Wakes* by H.G. Wells. They are debatedly the first modern dystopias per se, probably the first elaborately ideological dystopias, and definitely the first anti-capitalistic dystopias.
	1901	Guglielmo Marconi establishes the first transatlantic wireless connection, thus indirectly enabling effective global trade and warfare in the future.
	1903	The Wright brothers perform the first succesful flight in an aeroplane. It lasts for 12 seconds and 40 meters. The practical implementation of aircraft will revolutionise communications and warfare the following decades.
	1908	The publication of H.G. Wells's *The War In The Air, the first prediction of air raids* against cities.
	1909	Jack London's *The Iron Heel* reaches the bookshelves and consolidates ideological thematics in dystopian fiction. A manifesto by the Italian poet Filippo Tommaso Marinetti marks the birth of a controversial and short-lived art movement: Futurism. Its worship of dynamics and machines will indirectly influence dystopian visions for decades.
	1911	Only eight years after the accomplishment of the Wright brothers, aeroplanes are used in combat for the first time. Italian pilots bomb two oases near Tripolis in North Africa; needless to say, the targets are civilian.
	1914	In a haze of war romanticism, the European powers engage in the Great War; not only the first world war, but also the first industrialised war. It lasts for four years and results in more than 10 million dead people. The world will never be the same again. The same year, *The World Set Free* by H.G. Wells is published. It is the first prophecy of devastating nuclear wars that will end human civilisation. The publication of Charlotte Perkins Gilman's *Herland*, debatedly the first feministic dystopia.
	1915	Chemical weapons are deployed in battle for the first time: the German army uses chlorine gas near Ypres in Belgium.
	1917	A revolution in Russia gives the Bolsheviks an opportunity to seize power. Soon, they begin to call themselves Communists, and their radical political program will gradually evolve into a totalitarian nightmare. It will end over 70 years after the revolution.
	1918	The Spanish Influenza, the worst pandemic ever next to the Black Death, claims more than 21 million lives, more than every 100th human being.
	1919	The Bauhaus school of design is founded in Germany. It will influence art and design in a futuristic direction, and indirectly also science fiction. In the long run, the influences will be most prominent in dystopian fiction.
	1920	Karel Čapek's play *R.U.R.* introduces the term robot and the modern robot concept, and is the first elaborate depiction of a machine take-over. Čapek's robots can also be seen as the first androids: they are in fact organic.
	1921	The publication of the earliest major cyborg novel: *The Clockwork Man* by E.V. Odle. The protagonist's life is regulated by a clockwork mechanism built into his head.
	1924	Yevgeny Zamiatin's My (English title: We), the first totalitarian dystopia as well as the first critical comment on the future of USSR, is published. It will serve as inspiration for Aldous Huxley and George Orwell. In the essay *Daedalus, or Scienc and The Future, J.B.S. Haldane* prophesies with remarkable precision about different kinds of genetic engineering in the future. It served as inspiration for e.g. Aldous Huxley's *Brave New World*.
	1925	In Italy, the Fascists seize power, and implement the first truly totalitarian system; USSR will soon follow. Many intellectuals, even in democratic countries, praise Mussolini's new order. Franz Kafka's world-famous novel *Der Prozess* is published. The pessimistic perspective on modern society basically revolutionises literary fiction. It influences dystopian fiction in many respects, albeit usually indirectly; some intellectuals will even label the novel per se as dystopian. The Paris World's Fair can be regarded as the official starting-point of art deco. This aesthetic current will be dominant in design and architecture for decades, including such expressions in science fiction cinema. Illustrative modern examples are Cloud City in *The Empire Strikes Back* and the Tyrell Pyramid in *Blade Runner*.
	1926	The Scotsman John Baird conducts the first succesful television transmission, thus introducing the most effective means of mass propaganda and mass marketing so far in human history. Within a decade, regular television transmissions have begun in London, Paris, Berlin and New York. Première of Fritz Lang's mastodontic movie Metropolis, the first serious science fiction movie, as well as the first dystopian movie. It sets a new standard for cinema in general, and futuristic cinema in particular.
	1929	Capitalistic break-down: On the so-called Black Sunday, 80 million dollars disappear from the American economy due to stock exchange mania. It entails severe depression, social unrest and indirectly also autocratic take-overs around the world.
	1930	In the novel *City Of The Living Dead* by Laurence Manning and Fletcher Pratt, artificial illusionary worlds à la virtual reality or cyberspace are introduced. Interestingly enough, the novel focuses on the escapistic dangers of such technology.
	1932	The publication of Aldous Huxley's *Brave New World, the first depiction of failed paradise-engineering. Among many other things, it basically introduces the themes of mass culture and technology abuse in dystopian fiction, as well as scientific concepts such as designer drugs, conditioning and cloning. Carl W Spohr's short story The Final War* prophesies that the world will be divided between two superpowers, and that the invention of the atomic bomb will entail nuclear deterrence strategies. The story ends with the annihilation of mankind.
	1933	The National Socialists seize power in Germany and implement an autocratic and militaristic order, soon to become elaborately totalitarian. The nightmare ends 12 years later in the ruins of Berlin. Fritz Lang's movie *Das Testament des Dr Mabuse* is banned by the new regime in Germany. Tellingly, it depicts how a criminal organisation attempts to seize power with terror methods.
	1934	Première of the German propaganda film Triumf des Willens by the controversial filmmaker Leni Riefenstahl. It will influence dystopian nightmare visions of totalitarian systems for many decades to come.
	1936	A rebellion by military units in Spain triggers the first armed ideological conflict: the Spanish Civil War. The Fascist side introduces barbarian war methods in Europe, methods which previously hade been reserved for the colonies; the most horrifying novelty is air raids against civilian targets, e.g. in Guernica. More than one million people die, and Fascism triumphs. The war entails a dangerous polarisation between Fascism and Communism. The first public trials against alleged traitors are staged in USSR, which marks the beginning of Stalin's terror era. It lasts until the dictator's death in 1953 and costs at least 20 million lives. The first modern use of the term android in Jack Williamsson's *The Cometeers*.
	1938	Orson Welles causes public panic in USA with a realistic radio adaptation of *The War of the Worlds, and effectively illustrates the potential of mass media manipulation. The publication of A.G. Street's Already Walks Tomorrow, probably the first elaborate depiction of environmental collapse. John W Campbell's short story Who Goes There?* introduces the stealthy alien concept. It raises little interest, but will later be filmatised as *The Thing From Another World* in 1951 and *The Thing* in 1982.
	1939	Hitler's Third Reich attacks Poland and triggers the most devastating conflict so far in human history, World War II. More than 40 million people die in five years. Especially the German scientists excel in inventing advanced military technology which will claim many lives in the future, e.g. jet fighters and directed missiles. The publication of Raymond Chandler's first major detective story: The Big Sleep. Chandler's novels, and the filmatisations, will influence dystopian fiction with their potent mixes of lonely detectives, realistic approaches, urban settings, societal critique, harsh dialogue etc.
	1941	The première of John Huston's film noir classic *The Maltese Falcon, an adaptation of a novel by Dashiell Hammett*. Film noir in general and this movie in particular will influence dystopian cinema, especially the art deco aesthetics, the visual settings, the cinematic techniques and the concrete narratives.
	1942	The Holocaust is outlined in the infamous Wanzee conference. The first industrial genocide in human history will claim the lives of 6 million jews. All in all, the terror machinery claims at least 12 million lives, including communists, dissidents, gypsies, homosexuals and disabled. The first nuclear reactor is constructed in USA for military purposes. The full scope of the hazards with civilian nuclear power will not be recognised until much later.
	1943	COLOSSUS, the first electronic computation machine is completed in Great Britain. It is in fact more advanced than ENIAC, but it will remain a military secret for decades.
	1945	The Manhattan Project is completed, and USA deploys nuclear weapons against human populations for the first time. One bomb in Hiroshima and another in Nagasaki claim at least half a million lives, including the victims of the lingering radiation. Only four years later, USSR detonates its first atom bomb, and the nuclear arms race is a fact. Only a few months after Hitler's death, the first uchronia, i.e. alternative history, concerning a Third Reich victory is published: Laszlo Gaspar's *Mi, I. Adolf*.
	1946	In the Nuremberg Trials, the full scope of the totalitarian horrors in the Third Reich are recognised. The first truly global peace organisation, the United Nations, is founded. USA and USSR immediately begin to manipulate and weaken the organisation. The first official electronic computation machine, ENIAC, is completed in USA. The first real computer, EDSAC, is completed only three years later in Great Britain.
	1948	The publication of Norbert Wiener's cross-disciplinary work *Cybernetics: Control and Communication in the Animal and the Machine. From a scientific point of view, Man has become Machine. The term cybernetics* is, by the way, Wiener's own invention.
	1949	After a bloody civil war, the Communists proclaim the People's Republic of China. Exactly how many lives the revolution claims the next two decades will never be certain, but it is probably at least 20 million, hypothetically ten times as many. George Orwell's Nineteen Eighty-four, the most elaborately anti-totalitarian dystopia and the politically most influential dystopia of all times, is published. It advances and consolidates the dystopian themes of systematic opression and mind control. Until the making of *Blade Runner*, it is basically the sole Dystopia prototype.
	1950	Alan Turing defines the so-called Turing Test, the philosophical foundation of artificial intelligence theory. A new science is born, and the following decades many a scientist will claim to have created an intelligent computer.
	1952	USA detonates the first hydrogen bomb at Bikini Atoll in the South Pacific, thus increasing the scope of nuclear mass destruction dramatically. The heart pacemaker, the first implanted mechanical body enhancement, is introduced. Debatedly, this event marks the beginning of the post-human era. The Space Merchants by Fredrick Pohl Cyril Kornbluth, the first elaborate satire over commercialism and consumerism, is published, and introduces concepts such as corporate dominion, corporate overexploitation and corporate wars. The publication of Kurt Vonnegut's *Player Piano, debatedly the first depiction of a pseudo-utopian society run by a computer. The term dystopia* is popularised in *Quest For Utopia* by Glenn Negley and J. Max Patrick.
	1953	Watson and Crick unravels the structure of DNA. From a scientific point of view, Man has become Computer: the Code has been revealed and the Code can be reprogrammed. The publication of Ray Bradbury's *Fahrenheit 451, possibly the most intellectually advanced dystopian satire, together with Nineteen Eighty-four. In any case, it certainly contributed to the intellectual integrity of dystopian fiction. Filmatised by François Truffaut* in 1966.
	1954	A TV play adaptation of *Nineteen Eighty-four* starring Peter Cushing entails anxious questions in the British parliament.
	1955	Première of Don Siegel's *Invasion Of The Body Snatchers, an adaptation of a novel by Jack Finney*, the first major depiction of a stealthy alien take-over.
	1957	USSR launches the first man-made satellite, Sputnik I. The space race is a fact, and it engenders a rapid technological evolution. Among many other things, satellites will enable new means of communication, mass culture, surveillance and warfare. The publication of Nevil Shute's novel *On The Beach, made into a movie in 1959* starring e.g. Gregory Peck. It was not the first depiction of nuclear holocaust horrors, but the first one which had a strong emotional impact on the main-stream audience.
	1959	The publication of Robert Heinlein's pro-militaristic and anti-democratic novel Starship Troopers, which engenders a heated debate among science fiction writers. Harry Harrison is one of Heinlein's prominent antagonists.
	1962	The Cuba crisis almost triggers a nuclear war between USA and USSR. If mankind would have survived a full-scale nuclear conflict is uncertain. Philip K Dick advances the uchronia in *The Man In The High Castle, the first uchronian novel to receive the prestigious Hugo* award.
	1965	In the novel *Dune, Frank Herbert* basically introduces dystopian themes in space opera.
	1966	*Make Room, Make Room* by Harry Harrison, the first major over-population dystopia, is published; later to be adapted for the silver screen under the title *Soylent Green* in 1973. D.F. Jones's novel *Colossus, adapted for the silver screen in 1969, is probably the first depiction of a global take-over attempt by military computers. The concept will later be advanced in the Terminator* and *Matrix* movies.
	1967	The first heart transplant operation is performed, and human beings suddenly become sets of organic spare parts. The anthology *Dangerous Visions, edited by Harlan Ellison, marks the birth of a new science fiction movement: New Wave*. It only lasts for a few years, but expands the science fiction concept by breaking many taboos.
	1968	Stanley Kubrick's and Arthur C Clark's *2001: A Space Odyssey* sets new visual and thematical standards for science fiction in general and science fiction cinema in particular. It advances the artificial intelligence concept and introduces more realistic and conceivable space programs. Philip K Dick's *Do Androids Dream of Electric Sheep?* advances the android concept and raises disturbing questions about human identity.
	1969	USA implements the first Moon landing, the Apollo 11 expedition. A few more manned Moon landings will follow, but the costly Vietnam war will soon put an end to these grand projects. In USA, the first primitive computer network, a nuclear defence application, is constructed. The event will entail a dramatic evolution of computer technology, perhaps most notably the development of the first global computer network, internet. John Brunner advances the over-population theme in *Stand on Zanzibar*.
	1971	The first space station, the Soviet Salyut 1, is constructed and put into operative use. Stanley Kubrick's adaptation of A Clockwork Orange by Anthony Burgess hits the theatres and engenders a furious debate, especially in Great Britain. The movie basically introduces the theme of urban anarchy in dystopian fiction. Robert Wise's *The Andromeda Strain, based on a novel by Michael Crichton, popularises the modern pandemic* horror theme. The première of Douglas Trumbull's sadly underestimated *Silent Running, the first environment-conscious science fiction movie. David Rorvik* popularises the modern cyborg concept in *As Man Becomes Machine*.
	1972	John Brunner advances the dystopian theme of environmental collapse in The Sheep Look Up.
	1973	In *Japan Sinks, Sakyo Komatsu* advances the apocalyptic theme in science fiction, especially the social and psychological aspects.
	1974	John Carpenter's obscure low-budget comedy *Dark Star* is probably the first non-romantic and non-heroic movie about space exploration. Screen-writer Dan O'Bannon will later advance the concept dramatically in *Alien*.
	1975	Altair 8800 is the first personal computer to be produced in fairly high quantity. Thus, the personal computer industry is launched, a technological development that will inspire the cyberpunk movement. The same year, John Brunner basically introduces the modern cyberspace concept in *The Shockwave Rider*.
	1976	A new potential plague is recognised: the Ebola hemorrhagic fever. The first outbreak occurs in Sudan, shortly followed by an outbreak in Zaire. Within the next decades, more outbreaks will occur, some of them with a mortality rate of 70-90 %; as a comparison, the mortality rate of the Black Death was 30-75 % K. Eric Drexler popularises the term nano-technology in his book *Engines of Creation*.
	1977	The publication of Joe Haldeman's brutal anti-war novel *The Forever War, debatedly the first serious depiction of possible space war horrors; also, it can be seen as a critical comment on Starship Troopers. Together with Alien, it basically deromanticises space adventures. The punk album God Save The Queen* by Sex Pistols reaches the hit lists and marks the official birth of punk music and punk subculture. This revolution of pop culture will influence the cyberpunk movement.
	1979	In Three-Mile Island, USA, the first serious incident at a nuclear power plant occurs. In Iran, a fundamentalist revolution entails the first proclamtion of an elaborate theocracy since the proclamation of the Vatican state in 1929. Ridley Scott's famous horror movie *Alien* hits the box office, and changes the look and feel of space adventures dramatically.
	1981	A new disease is recognised in USA, although yet not named: AIDS. Exactly when this lethal virus began to circulate is uncertain, though; it probably occurred for the first time in the late 1960s or early 1970s. George Miller's *Mad Max 2: The Road Warrior* advances the break-down of civilisation in the first movie into Social-Darwinist anarchy, and sets a new standard for post-apocalyptic depictions.
	1982	Ridley Scott's *Blade Runner* sets a whole new standard for science fiction, especially visually, and influences the coming cyberpunk movement immensely. It will engender debates on e.g. hyper-technology and urbanisation for decades to come. As a spin-off effect, it also popularises Philip K. Dick's works. Steven Lisberger's *Tron, immensely underestimated at its time, advances the cyberspace* concept.
	1984	William Gibson's *Neuromancer* is published and marks the birth of the influential cyberpunk movement. It also inspires science, engenders debate, revitalises dystopian fiction, popularises the cyberspace concept, and consolidates the themes of corporate dominion and hyper-technology in modern science fiction. James Cameron's *The Terminator* hits the box office and reanimates the old dystopian machine horrors, later to be continued in the *Matrix* movies. George Orwell's dreaded year passes, and some people claim that Aldous Huxley's nightmare prophecy is more accurate. Première of Michael Radford's ambitious adaptation of Nineteen Eighty-four, starring John Hurt and Richard Burton.
	1985	Terry Gilliam's *Brazil* reboots Kafkaesque themes in dystopian fiction and basically defines the visual standards for tech noir; compare with *The City Of Lost Children* and *Dark City*.
	1986	In Chernobyl, USSR, the first nuclear power plant catastrophe occurs.
	1987	The publication of Margaret Atwood's The Handmaid's Tale; not the first feminist dystopia, but the first one which gains recognition. It popularises feminist theory in science fiction and advances the concept of modern theocracies in dystopian fiction. In the novel *Consider Phlebas, Iain M. Banks* basically integrates the utopian-dystopian complexity in the space opera genre. Paul Verhoeven's *RoboCop* modernises the anti-capitalistic satire with cyberpunk concepts.
	1988	Katsuhiro Omoto's *Akira* popularises anime and manga outside Japan, cultural expressions which will continue to influence dystopian fiction, albeit mainly on aesthetic levels.
	1989	The fall of the Berlin Wall is a fact, and it will soon be followed by the fall of the USSR. It entails a political vacuum and an uncertain future.
	1990	The publication of the first dystopian steampunk novel: *The Difference Engine* by William Gibson and Bruce Sterling.
	1992	Neal Stephenson reboots and advances the cyberpunk genre in *Snow Crash. Robert Harris* advances the uchronia in *Fatherland*, basically the only best-selling uchronia so far.
	1993	Graphical user interfaces make internet practically accessible to the public. Possibly, future history books will claim that it entailed social, psychological and perceptual changes.
	1997	The première of the first major genetic-engineering dystopia, Andrew Niccol's *Gattaca*.
	1998	Almost 40 years after the publication of Robert Heinlein's Starship Troopers, Paul Verhoeven's controversial adaptation engenders a new debate.
	1999	*The Matrix* by the Wachowski brothers revitalises the fading post-cyberpunk current in dystopian fiction.
	2001	The largest terrorist attack ever occurs in New York. The terrorists achieve their goals: wide-spread paranoia, non-democratic tendencies and illegal war campaigns. Possibly, the event will mark the end of Western hegemony in future history books.
	2003	The first taikonaut in space. Possibly, the event will mark the beginning of a new space race in future history books. The publication of Margaret Atwood's *Oryx and Crake*, a radical renewal of the bio-engineering horror concept.

Notes: It should be stressed that this timeline is a simplification in many respects. First, many technological innovations are the end products of long and complex processes; they are composites, basically. Second, many dystopian themes and concepts often appear briefly in early science fiction works; the focus of this timeline is major works.

Finally, I wish to thank the alt.fan.blade-runner regulars for helping me sort out the computer revolution, as well as David and J. Oraknabo for corrections and suggestions.