| | Analyzes | |
 | | In the first four lines of the poem their meeting takes place. In line 1 | |
 | | it is indicated that some time has passed since their last meeting. | |
 | | The woman calls herself bitch and this shows that one part of her is | |
 | | hostile and defensive. The bitch's first reaction is to growl at the man. | |
 | | She tells herself to keep quiet and not to make a scene, but when the | |
 | | woman is nice to him, in line 5, the bitch starts barking. The woman | |
 | | explains that he is not a trespasser or an enemy now. | |
 | | | |
 | | The word now is very important here. As he is not an enemy now, it | |
| | is indicated that he was an enemy in the past when they had a | |
| | relationship and your loved ones are not supposed to be your enemies. | |
| | From this we can assume that their relationship was not very good. | |
| | Now he is just someone from the past, someone she used to know | |
| | and they are very formal towards each other. | |
| | In line 8, she says to the bitch "Where are your manners" and this is | |
| | something you say to dogs or people, when you think that they do not | |
| | behave properly. | |
| | | |
| | In line 10 and 11 the tone of the poem changes. The man is nice to her | |
| | and the bitch changes her attitude, she weakens. She softens and falls | |
| | back into old habits and feelings and wants to be close to him again. | |
| | In line 13 the woman tries to keep a distance between them. She threatens | |
| | with "a taste of the choke-chain" and the bitch inside her obeys reluctantly. | |
| | "After all, I am her mistress. She is basically loyal." The woman can control | |
| | the bitch and her own feelings. Being the mistress of the bitch could be | |
| | compared to being the mistress of a dog. | |
| | | |
| | In the next ten lines the bitch remembers the past, which does not seem | |
| | very nice to the reader. She used to act like a dog, waiting for its master, | |
| | listening for his steps and then come running to obey and please him, | |
| | lying at his feet and adoring him. She used to wait obediently and | |
| | devotedly for him to notice and care about her. He treated her like a | |
| | dog, ordering her to fetch things and only noticed her when he felt like | |
| | it, and then he just played with her and her feelings. | |
| | | |
| | But the bitch chooses to remember the good times better than the bad | |
| | ones. She thinks back at when he was nice to her, although it was | |
| | "careless kindnesses". He was not really paying her any attention, | |
| | only when he was in a good mood or had been drinking. | |
| | In line 28 the woman states that "It's nice to know you are doing so well" | |
| | and after that she starts making excuses for him leaving her. She puts | |
| | herself down and explains that he could not have taken her with him, | |
| | because she was not good enough. Here you can hear the echo of his | |
| | words. Even though she is the one stating this, it is clear that these | |
| | are his words to begin with, words that she have probably been told | |
| | numerous times. She is nothing compared to his new friends, who are | |
| | very neat and tidy, taking care of their appearance. | |
| | | |
| | Finally, after some polite parting phrases, the woman leaves and is | |
| | forced to drag the bitch away from him "by the scruff", just like you | |
| | do with a disobedient dog. | |
| | | |
| | The main-thread of the poem is dog-like behaviour. Here, the bitch | |
| | is a symbol that represents the woman's feelings and she hides the | |
| | bitch and her feelings from the man. A bitch can be either a female | |
| | dog or a woman. When a woman is referred to as a bitch, it is not | |
| | a positive word. It is associated with an unpleasant, nagging woman | |
| | and that could be the reason why she hides the bitch from him, | |
| | because she knows that the bitch (and her emotions) would annoy | |
| | him. "Where are your manners?" the woman asks the bitch, she might | |
| | be asking herself this because she does not want to give in to what | |
| | she is feeling, or she might be worried that her feelings will shine | |
| | through to the man. | |
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| | Maria Fröjd and Ulrika Josefsson |