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" It's a superhero, science fiction, samurai drama, urban nightmare, gothic romance. " - Frank Miller |
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| Ronin begins
with a samuraisequenze, introducing the Yojimbo, and his
Lord, Lord Ozaki. Lord Ozaki has in earlier years stolen
the Bloodsword from a demon named. It's pretty clear that
Agat wants the sword back, which makes the Yojimbo wonder
why the demon is still alive. His master tells him that
Agat cannot die, until the Bloodsword have tasted
innnocent blood and not until thereafter it can kill its
ex owner. Lord Ozaki gets it though, after being more or
less tricked into a statement of safeness. Of course the
former yojimbo want retribution. He does seem to get it,
but the powers of Agat (and the Ronin) has been
underrestimated; Agat manage to continue his life, in the
Bloodsword.Anyway, that's how I think it is. The Future comes next. With the specialpowered the shapechanging demon Agat, the revengewanting Ronin, and among others Billy, the computer Virgo and Casey McKenna. And a 21th century New York. I find the first chapter most
satisfying. Very nice samurai-in-action art and a good
story. After being thrown into the future it loses in
story, it gets weaker and the story develops at lower
speed. And it has, to me, a very confusing ending. Really
good art though, and Lynn Varley does the coloring in a
fantastic way. " Ronin tells the tale of a dishonored 13th-century samurai who is reborn in a corrupt and computerized 21st century New York with one last chance for redemption. His quest takes him through the violent Manhatten netherworld, and brings him face-to-face with passion, betrayal, murder... and the reincarnation of his sworn enemy, the ancient demon Agat. On a bleak and decaying battleground, the two foes wage a final war: to settle past debts, and for the soul of a dying civilasation. " (As the backside of the third printing says.) - Frank Miller - |
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