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Expressive Performance in Music, Dance, Speech and Body Language

Publications concerning music (sorted by first author)

- Baars, G. (1997). Emotional expression in singing - a case study. Unpublished bachelor's thesis, Department of Psychology, Uppsala University, Sweden.

- Baars, G. & Gabrielsson, A. (1997). Emotional expression in singing: A case study. In A. Gabrielsson (Ed.), Proceedings of The Third Triennial ESCOM Conference (pp. 479-483). Uppsala: Uppsala University, Department of Psychology.

- Bergman, D.(1997). Children's judgments of structural patterns and emotional expression in music. Unpublished bachelor's thesis, Department of Psychology, Uppsala University, Sweden.

- Bergman, D. & Gabrielsson, A. (1997). Children's judments of structural patterns and emotional expression in music. In A. Gabrielsson (Ed.), Proceedings of The Third Triennial ESCOM Conference (pp. 430-434). Uppsala: Uppsala University, Department of Psychology.

- Dry, A. (1997). Music communication - emotional expression in guitar band performance. Unpublished bachelor's thesis, Department of Psychology, Uppsala University, Sweden.

- Dry, A. & Gabrielsson, A. (1997). Emotional expression in guitar band performance. In A. Gabrielsson (Ed.), Proceedings of The Third Triennial ESCOM Conference (pp. 475-478). Uppsala: Uppsala University, Department of Psychology.

- Gabrielsson, A. (1994). Intention and emotional expression in music performance. In A. Friberg, J. Iwarsson, E. Jansson, & J. Sundberg (Eds.), Proceedings of the Stockholm Music Acoustics Conference (pp. 108-111). Publications issued by the Royal Swedish Academy of Music, No. 79.

- Gabrielsson, A. (1995). Expressive intention and performance. In R. Steinberg (Ed.), Music and the mind machine. (pp. 35-47). Berlin: Springer-Verlag.

- Gabrielsson, A. (1996). Acoustic correlates of emotionally expressive music. Journal of the Acoustical Society of America, 100 (4), Pt. 2, 2778.

- Gabrielsson, A. (1999). The performance of music. In D. Deutsch (Ed.), The psychology of music. (2nd ed.). (pp. 501-602). San Diego: Academic Press.

- Gabrielsson, A., & Juslin, P. N. (1996). Emotional expression in music performance: Between the performer’s intention and the listener’s experience. Psychology of Music, 24, 68-91.

- Gabrielsson, A., & Juslin, P. N. (1999). Expression in music. Chapter to appear in: H. H. Goldsmith, R. J. Davidson, & K. R. Scherer (Eds.), Handbook of the affective sciences. Oxford: Oxford University Press.

- Gabrielsson, A., Juslin, P. N., & Lindström, E. (1994). Expressive intention governs music performance. In I. Deliége (Ed.), Proceedings of the Third International Conference for Music Perception and Cognition. (pp. 19-20). Liège: University of Liège.

- Gabrielsson, A & Lindström, E. (1995). Emotional expression in music performance. In G. Kleinen (Ed.), Proceedings from the conference of Deutsche Gesellschaft für Musikpsychologie and European Society for the Cognitive Sciences of Music (pp. 16-19) Bremen: Universität Bremen.

- Gabrielsson, A., & Lindström, E. (1995). Emotional expression in synthesizer and sentograph performance. Psychomusicology, 14, 94-116.

- Gabrielsson, A. & Lindström, S. (1995). On strong experiences of music. In R. Steinberg (Ed.), Music and the mind machine. (pp. 118-139). Berlin: Springer-Verlag.

- Gabrielsson, A., & Lindström, S. (1995). Can strong experiences of music have therapeutic implications? In R. Steinberg (Ed.), Music and the mind machine. (pp. 195-202). Berlin: Springer-Verlag.

- Juslin, P. N. (1993). The influence of expressive intention on electric guitar performance. Unpublished bachelor's thesis, Department of Psychology, Uppsala University, Sweden.

- Juslin, P. N. (1995). Emotional communication in music viewed through a Brunswikian lens. In: G. Kleinen (Ed.), Proceedings of the Conference of DGM and ESCOM. (pp. 21-25). Bremen, Germany: University of Bremen.

- Juslin, P. N. (1995). A functionalistic perspective on emotional communication in music. European Society for the Cognitive Sciences of Music Newsletter, 8, 11-16.

- Juslin, P. N. (1996). Affective computing. Ung Forskning, 4, 60-64.

- Juslin, P. N. (1996). On the functional validity of expressive cues in music performance. In: B. Pennycook, & E. Costa-Giomi (Eds.), Proceedings of the Fourth International Conference on Music Perception and Cognition. (pp. 225-230). McGill University, Montreal, Canada.

Juslin, P. N. (1997). Can the results from studies of perceived expression in musical performances be generalized across response formats? Psychomusicology, 16, 77-101.

- Juslin, P. N. (1997). Perceived emotional expression in synthesized performances of a short melody: Capturing the listener’s judgment policy. Musicae Scientiae, 1 (2), 225-256.

Juslin, P. N. (1997). Emotional communication in music performance: A functionalist perspective and some data. Music Perception, 14 (4), 383-418.

Juslin, P. N. (1997). How can music performers become better at communicating emotions to listeners? In: A. Gabrielsson (Ed.), Proceedings of the Third Triennial ESCOM Conference. (pp. 493-498). Department of Psychology, Uppsala University, Sweden.

Juslin, P. N. (1998). A functionalist perspective on emotional communication in music performance. Comprehensive Summaries of Uppsala Dissertations from the Faculty of Social Sciences 78. Uppsala, Sweden: Uppsala University Library.

Juslin, P. N. (1998). How to improve emotional communication in music performance. In: S.W. Yi (Ed.), Proceedings of the Fifth International Conference on Music Perception and Cognition. (pp. 387-392). Western Music Research Institute, College of Music, Seoul National University, Seoul, Korea.

Juslin, P. N. (1999). Communication of emotion in music performance: Vicarious functioning of expressive cues. Chapter to appear in: P. N. Juslin, & J. A. Sloboda (Eds.), Music and emotion: Theory and research. Oxford: Oxford University Press.

Juslin, P. N. (1999). Communication of emotion in vocal expression and music performance: Different channels, same code? Manuscript submitted for publication.

Juslin, P. N. (in press). A Brunswikian approach to emotional communication in music performance. In K.R. Hammond & T.R. Stewart (Eds.), The essential Brunswik: Beginnings, explications, applications. Oxford: Oxford University press.

Juslin, P. N. (in press). Cue utilization in communication of emotion in music performance. Relating performance to perception. Journal of Experimental Psychology: Human Perception and Performance.

Juslin, P. N., & Laukka, P. (1998). Improving emotional communication in music performance through cognitive feedback. Manuscript submitted for publication.

Juslin, P. N., & Madison, G. (1998). Do listeners use timing patterns to decode the emotional expression of music performances? In: S.W. Yi (Ed.), Proceedings of the Fifth International Conference on Music Perception and Cognition. (pp. 293-298). Western Music Research Institute, College of Music, Seoul National University, Seoul, Korea.

Juslin, P. N., & Madison, G. (in press). The role of timing patterns in recognition of emotional expression from musical performance. Music Perception.

Juslin, P. N., & Persson, R. S. (1999). Emotional communication. Chapter to appear in G. McPherson, & R. Parncutt (Eds.), The science and psychology of music performance. Creative strategies for teaching and learning. New York: Oxford University Press.

Laukka, P. (1997). Emotional expression in drumming performance. Unpublished bachelor's thesis, Department of Psychology, Uppsala University, Sweden.

Lindström, E. (1992). 5 x ‘Oh, my darling Clementine’. The influence of expressive intention on music performance. Unpublished bachelor's thesis, Department of Psychology, Uppsala University, Sweden.

Lindström, E. (1997). Impact of melodic structure on emotional expression. In: A, Gabrielsson (Ed.), Proceedings of the Third Triennial ESCOM Conference. (pp. 292-297). Department of Psychology, Uppsala University, Sweden.

Lindström, E. (1998). Impact of melodic structure on emotional expression in music. An explorative study of musical structure and musical expertise. (in preparation.).

Madison, G. (1992). Drumming performance with and without clicktrack. Unpublished bachelor's thesis, Department of Psychology, Uppsala University, Sweden.

Madison, G. (1992). Drumming performance with and without clicktrack - The validity of the internal clock in expert synchronization. In C. Drake, C. Auxiette, & C. Gerard (Eds.), Proceedings of the Fourth International Workshop on Rhythm Perception and Production. (pp. 117-122). Bourges, France.

Madison, G. (1992). Tightare med click? Musikermagasinet MM, 2, 58-61.

Madison, G. (1999). Dimensions of expression in music - interaction between structure and performance variability. Manuscript submitted for publication.

Sandgren, M. (1997). Operasångare: Rösten, kroppen och hälsan (Opera Singers: Voice, Body and Health). Unpublished thesis, Department of Clinical Psyhology, Uppsala University, Sweden.

Sandgren, M. (1997). Opera singers: Voice, Psyche and Soma. In A. Gabrielsson (Ed.), Proceedings of the Third Triennial ESCOM Conference (pp. 344-348). Uppsala: Department of Psychology.

Sandgren, M. (1997). Operasångare: Rösten, kroppen och hälsan. Röstläget, October 1997, 40-45.

Sandgren, M. (1998). Operasångare och psykologi. MusikDramatik 1/98, 20-22.

Sandgren, M. (1998) Operasångare: Självkänslan i rösten. Röstläget, October 1998, 24-27.

Sloboda, J. A., & Juslin, P. N. (1999). Psychological perspectives on music and emotion. Chapter to appear in: P. N. Juslin, & J. A. Sloboda (Eds.), Music and emotion: Theory and Research. Oxford: Oxford University Press.

Vikersjö, V. (1997). Sexåriga barns bedömning av ton- och rytmmönster och känslomässigt uttryck i musik. (6-year-old children's judgement of tonal and rhythm patterns and emotional expression in music). Unpublished bachelor's thesis, Department of Psychology, Uppsala University, Sweden.

The project is supported by The Bank of Sweden Tercentenary Foundation


Department of Psychology, Uppsala university | Updated 11 october 1999 | URL http://www.uu.se/